Life can really blow your plans out of the water sometimes, right? You know...like when you decide to move away from busy New York City life and pursue something quiet and simple in the slower south...and then one day while you are making your bed, you get a call that your father is gone and you are somehow alone in the world in a whole new way. Its strange how life can feel so fragile and so powerful in these moments, when she forces you to look her in the face and say, "Ok, I see you." When I learned about my father's death, life suddenly became temporary for me. Urgent. Precious. This is how River & Rail Theatre company was born. Out of an urgency, a need to live, to tell the good stories, to do it all now while we can.
In late 2014, some good friends at Gridwell came around our urgent desires to make theatre that is honest, relevant, and beautiful, and they helped us sculpt a vision for a professional theatre company with a community heart. We came up with two images: the river and the rail. We latched onto the idea, because the river and the rail are emblematic of Knoxville’s proud, industrious past. The heart of downtown Knoxville is situated between these two modes of transit, and we owe much of our city’s identity and growth to both. Together, they are intrinsically and inseparably Knoxville.
But the river and the rail also represent a sort of separation. When you look at the demographics of Knoxville, the people that live on the river and the people that live near the tracks experience Knoxville from vastly different perspectives. Our neighborhoods, churches, community groups, and social circles seem deeply divided along various lines. Some are the literal lines of the Tennessee River or the tracks of the railroad, and some are metaphorical, like the lines between races, religions, and ethnic groups or the culture lines between east, west, north, and south Knoxville. The goal of River & Rail Theatre is to not just create professional theatre accessible to all Knoxvillians, but to create theatre true to the stories of Knoxville, shared collectively by those on every side of every line.
Check out the GIVE page to see how you can contribute to River & Rail.
Founding Artistic Director
Joshua Peterson is a Texas transplant via Paris and New York but is now proud to claim Knoxville as his home. Prior to moving to Knoxville, Joshua served as the Artistic Director of Firebone Theatre Company in New York City. Joshua received his MFA in Acting from Southern Methodist University in Dallas. He also holds a BA in Theatre from Oklahoma Baptist University. Between pursuing his degrees Joshua spent two years living and working for a humanitarian aide organization outside of Paris, France. He made his Knoxville acting debut last year in Clarence Brown Theatre's A Christmas Carol. Other Selected Regional Acting credits include Measure for Measure and Much Ado About Nothing (Lake Tahoe Shakespeare Festival), Barry Love in House and Garden (Theatre Three), Gail in Our Lady of 121st Street (Kitchen Dog Theatre) and Jon in Tape (Dallas Theatre Center.)
Community Engagement Director
Logan Mahan moved from Little Rock, Arkansas to Knoxville, Tennessee three years ago, and has enjoyed getting to know a new little river town. Logan has worked in prisons, rehabs, churches, and on mountain tops building community and challenging stigma through storytelling and story listening. As the Community Engagement Director for River & Rail, Logan will work to actively refine and implement R+R’s vision for a professional theatre company that elevates unheard stories in an innovative and redemptive way.
Logan earned a BA in English Literature from Harding University where he won the Jo Cleveland Writing Award for Non-fiction. He is a contributing writer for RootsRated, a publication focused on increasing awareness and access to local outdoor resources and activities.
Literary Manager and Director of New Play Development
Amelia Peterson is a Knoxville native and a graduate of Bearden High School. She earned her BFA in Theatre Studies from Southern Methodist University where she studied directing under Stan Wojewodski, Jr. (former Artistic Director of Yale Repertory Theatre). She has spent much of her career working with budding playwrights on new works. In New York, she co-directed the world premier of MORBID POETRY at the Incubator Arts Project and a folktale adaptation series LONG, LONG AGO with Firebone Theatre Company. She has also directed new works for the CalArts Arts in the One World conference (Valencia, CA), the Kennedy Center’s Page to Stage Festival (Washington, DC), and the Inkwell Theatre’s Showcase Reading Series (Washington, DC). She is a mother, a teacher, and a writer.